Exprting Sync Audio Pluraleyes 4 Trial That Doesn#
Exprting Sync Audio Pluraleyes 4 Series Of Clips#
Exprting Sync Audio Pluraleyes 4 Update To Its#

Exprting Sync Audio Pluraleyes 4 Update To Its

The most accurate A/V sync tool available for NLE. Version 4.1 of PluralEyes includes a number of new features designed for filmmakers and content producers where they need it the most.PluralEyes syncs audio/video from multiple cameras & audio devices. Red Giant today announced an update to its popular audio/video syncing plugin PluralEyes, the fastest, most accurate audio/video sync tool on the market and a key component of the popular Red Giant Shooter Suite.

Let me break down why I now use Pluraleyes all the time, and what process it replaced.Firstly, I nearly always record my audio separately, becauseВ IВ Iike to control the input and quality exactly to what I know works best in post. Video file, sync it, export it, then repeat ad nauseum with all 30 of.I say 'nearly' because I have run into some hiccups, but by and large Pluraleyes does exactly what it claims to, and does it astoundingly quickly. Doing one day at a time, Pluraleyes 4 will take my single camera and single audio recorder and spit out the 'synchronized' timeline with everything on 100+ different audio tracks and 10+ video tracks, with many of the shots and audio overlapping.Streamline your audio sync workflow in Premiere Pro with PluralEyes. But what if you could just dump all your camera footage from an interview and all the audio from your recorder into one program and hit one button to sync them all quickly and accurately? You can with Red Giant Pluraleyes, and it's nearly perfect.Ranges from about 70 to 120 shots per day, 4 days.

Instead of needing to know specifics, I just need to know which day I shot all the footage. I can feasibly spend hours just trying to figure out which audio clip corresponds with which video clip.Pluraleyes takes all that out of the equation. The more I shoot, and the more I shoot before I get back to my main workstation, the worse this becomes. You see, I don't remember which audio file went with which video file. When your editing folders look like this.That might not be the easiest approach. Generally speaking, audio quality is better when you record it separately, but has been a pain in the butt to sync, even using Adobe Premiere's build in functionality (as explained in the video below).Now, the downside of the process in Premiere is you actually need to know exactly what audio clip corresponds to the video clipВ with which you want to sync.

I absolutely loathe the idea of going back to my previous method, since using Pluraleyes is just so. It required an audio clip in order to consider the product 'done.' I got around this by separating the audio in Audition and bringing it in redundantly, but it was annoying.These issues aside, life with Pluraleyes is monumentally easier for me than life without it. Because I did not have a standalone audio file, just two video files, Pluraleyes refused to export the XML for Premiere. I haven't had any trouble with other camera brands generating the same file type as the a7S video clips, so it was pretty strange that this was happening.My final weird issue came when I once did record audio internally on one camera and just wanted to sync that clip set with another camera that I was running. It's not a big deal because I can usually easily fix the one or two clips that failed to sync right very quickly in Premiere, but I would certainly like the product to work 100% how they say it will 100% of the time.I also ran into an issue where Sony a7S footage was unrecognized by the software, which was bizarre. The problem here, though, is that sometimes audio and video clips that it once successfully synced oddly don't sync the next time, and I'm left with 95% of my work done instead of 100%.

Exprting Sync Audio Pluraleyes 4 Series Of Clips

It's not perfect, but it's much closer than anything else I've tried in the past.Chris, try adding a 'hit' (snap, hand clap, slate board or other loud sound), close to the DSLR mic and your other audio source if you can, when you start rolling. Won't sync unless you recorded audio separatelyPluraleyes from Red Giant is available for $200, which in my book basically pays for itself after one editing session with the amount of time it saved me. Sometimes give varying results for same series of clips Program loads quickly and operates smoothly Fast, accurate audio syncing for multiple cameras and multiple audio streams

Export that timeline back to your NLE with corresponding synced clips in the media pool2. In the meantime, let me explain.Once you get a synced timeline in pluraleyes, you have 2 choices:1. I'm sure it's out there, but i'd love a PL Eyes VS Premiere CC comparison :) The problems it gave me this week were almost enough to kick it to the curb because it simply wouldn't work consistently and had me hand matching audio and some of the cameras some of the time on some of the talks and i just couldn't work out why it was being so inconsistent.Pluraleyes is an amazing piece of software ! It syncs quickly and perfectly 90% of the time.What I never understood though, is why on Earth its workflow is вЂњimcompleteвЂќ and therefore what to do with the resulting synced timeline.If someone can enlighten me on this I would be very interested. Someone mentioned CC has it in built now and it works well. I had a NIGHTMARE with Pl Eyes last week on a TED conference edit (5 cameras and external 8 channel audio, 7 talks, 24 hour turnaround) where it was having real trouble syncing. I'm still stuck in my ways like an old man on CS6 but i was thinking of upgrading based on this alone.

Since I switched to FCPX, you cannot have 2 timelines ate the same time and cannot do that (you could do have вЂњboth timelinesвЂќ in the same timeline when working but is cumbersome).My ideal solution in FCPX would then be to use option 2 from pluraleyes. Therefore you get clips starting and ending by black videos вЂ¦ and the thumbnails in your media pool all look black !!! Completely useless.When I was cutting in Premiere, I would then use the synced timeline from pluraleyes as a media pool to create my cut in a second timeline. They start and end вЂњsomewhereвЂќ in between the video cuts. You ingest those in your NLE afterwards.The problem is that in both cases, the newly synced clips are not trimmed to video length.

After I import my files to Premiere, I select all the audio and video files that I need to synchronize. This would be very useful to avoid chimping when trying to fetch back that audio youвЂ™d like (or need !) to use because it gives an interesting color in the mix (in cases it is not bad audio of course).I donвЂ™t see why pluraleyes doesnвЂ™t offer you the possibility of creating multitrack quicktime files with ALL audio included but with some tracks turned on and others turned off.Not to mention that for complex projects, we need to handle metadata in all of this.I hope my explanation is not too much of a mess and would be very interested if you guys have some insights about this.Yes, it can absolutely handle multiple audio and video files at once. But you cannot choose to keep the original in-camera sound to be part of the clips but muted.

Exprting Sync Audio Pluraleyes 4 Trial That Doesn

This feature has saved me an immense amount of time and money.In addition, if you're syncing multiple camera angles, this feature lets you easily create a multi-cam sequence that allows you to create a line cut in real time by pressing the number key corresponding with the camera number. I'd suggest pulling it down and trying it out. I can't remember if it creates a different sequence for each, or if it puts them into one timeline, but either way, it's way faster and easier than using an external piece of software.Creative Cloud has a free 30-day trial that doesn't effect your CS6 installation.